GEORGIA BIGGS: RIGHT UP UNTIL. JARRYD COOPER: SIGHTSEEING IN THE WHOLE SHEBANG
16.10.2019 - 12.11.2019
Blockprojects Gallery is pleased to present a duo exhibition of works by Georgia Biggs and Jarryd Cooper.
STEVEN ASQUITH: ETHEREAL VARIATIONS: 2 RIPS & PUNCTURE MARKS
17.09.2019 - 12.10.2019
Steven Asquith’s new exhibition Ethereal Variations: 2 Rips & Puncture Marks continues his investigation of minimal abstraction that began in the 2017 Ethereal Puncture Marks series. Asquith’s new sequence of works are stripped back, uniform compositions of urban decay and the landscape.
Using stencils and acrylic spray paint, each composition is defined by two vertical slashes and an arrangement of puncture marks that appear to pierce the surface of the canvas. The interplay between the marks produce distinctive configurations through the repetition of materials and form. A luminous white haze spreads across the canvas creating an illusion of space, revealing an otherness behind the flatness of the painting.
The surface appears torn or distressed in parts—like it has been run over by a truck leaving tyre marks imprinted. Perhaps more contemporarily, the viewer is conditioned to the artifice of gazing at a digital screen while images render in and out of focus in front of their eyes. Where does the glare emerge from? Is it a tear in the fabric of our perception of reality or a reckoning of something else beyond
Other means of repetition and materiality emerge. Asquith samples the techniques of graffiti that he distinctively combines with elements of painterly abstraction. Like graffiti and hip-hop culture which sampled and echoed society, Asquith alludes to not only its history, and that of painting and abstraction, but also the current geo-political climate and the 24-hour news cycle.
The tonal variances of pink, purple, violet, orange and blue evoke skyscapes that transition in a twilight haze from dawn to dusk. The ominous skyscapes of toxins, gases, and exhaust fumes are a nod to fossil fuel-based economies and their effect on global warming. These paintings pose questions and suggest a dystopian vision of a scorched earth a few hundred years (or perhaps sooner?) into the future.
Aneta Trajkoski
CANTO
31.08.19 - 14.09.19
Installation images, Canto. Blockprojects, 2019.
Blockprojects is proud to present, HOW SOON IS NOW,
an exhibition featuring fifteen contemporary artists who explore the mystery of abstraction.
ARTISTS:
Justin Andrews
Neil Keith Baker
James Clayden
Will Cooke
Jordan Grant
Denise Green
Melinda Harper
Julia Powles
Tom Vincent
David Wallage
what
enquire.
MERRIC BRETTLE: HYPNAGOGIC BLINK
23.07.2019 - 17.08.2019
In this new body of works titled, Hypnagogic Blink, Merric explores the relationship between hand-painted and digitally-created mark-making. In order to do this, he employs various visual art computer programs, spray paint and a variety of material and conceptual digital image-making techniques.
Employing these materials and methods Merric explores his mark making as he translates found and constructed digital images into material objects. This kind of practice allows him to explore the qualities of the ‘screen’ yet still insert ‘himself’ into the art object.
When looking at these works, Merric would like the viewer to consider two aspects in particular. Firstly he would like them to consider his ‘marks’ in for example the care of his construction, the layering of paint, and the small mistakes or human ‘glitches’ in the fabrication process. Secondly he would like them to contemplate the patterns he created in these abstract images and the way that they may have meaning in themselves. The reason behind these requests he explains,
“…is because it is behind these marks you will find me and behind these patterns you will find the way that I see the world.”
ROBERT JACKS & JAMES CLAYDEN: WHAT IN THE WORLD
28.05.2019 - 22.06.2019
Blockprojects is pleased to present, What in The World, an exhibition of paintings by two of Australia’s most pre-eminent painters of our time, Robert Jacks and James Clayden. The exhibition features paintings from the late 1960s to mid-2000.